by EWBrown » Mon Apr 11, 2005 11:15 am
I was wondering if one of these boards could be "chopped" for mono use,
I have tried a circuit similar to the Curcio driver, using SRPP 6N1P as the driver and a second 6N1P as a cathodyne (as in ST70) phase splitter, both as a single tube section, and as paralleled triodes with the P and K resistor values halved) and wasn't real excited with the results, not any better than the original 6AN8 or 7199 circuit design. I think the Modified Mullard is the way to go... I believe the MK3 and MK4 boards from Triode Electronics are closer to the Mullard design, in that they use an LTP splitter rather than "cathodyne"..
The cheeziest phase splitter I ever saw (or heard) was used on a Voice of Music (VM) console amplifier, the output from the preamp chassis (standard volume / balance / treble / bass design) fed straight into the grid of one of the 6V6s per channel. A sample of this signal is sent to a half a 12AX7 which acts as a unity gain inverting stage (plate resistor 47K, grid and cathode resistors 470K). the output from the 12AX7 plate is capacitor coupled to the other 6V6, and thusly something closely, but not quite fully, resembling a push-pull signal goes to the cheapo OPTs.
I just resuscitated one of these from the "crypt". It sounded, er, not too bad, but when I ran it against a DIY35, the difference was incredible, then the VM really sounded like what it was, a cheap-as-possible design. Yellow_Light_Colorz_PDT_07
The best part of it is the power trannie, 300-0-300 VAC, 150 mA, three independent 6.3 VAC filament windings, one 5VAC winding to light up the rectifier tube, and an isolated 120VAC, 850 mA winding, that originally fed power to the tuner chassis, or record changer (aka groove grinder mechanism).
But not all is lost... The power supply has everything just what I need for my 6EM7 PP amp, so it is going to get gutted except for the power supply section, and given a new life. THis also saves all the onerous chassis punching and drilling, as most everything that I need is already present.
I'll even use the 12AX7 socket for a simple "linestage" pre-driver stage if needed.
Yes, it will be a bit on the ugly side, as this chassis was meant to be mounted out of sight inside a pretty fancy console. But, I am sure that it will sound a LOT better Yellow_Light_Colorz_PDT_16
Followup:
The 6EM7 PP amp sounds great, using Triode "silver" Fender outputs which I bought last year, before the UL version was released. These have about 4X the iron and copper content of the original VM OPTs.
/ed B in NH
Last edited by
EWBrown on Mon Dec 12, 2005 6:27 am, edited 1 time in total.
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