Kyle K wrote:Ned,In the Triode Electronics ST70 manual and in your "Dusty Files" you make a point about the value of the grid leak resistors used by many vintage designs using fixed bias and how exceeding tube manufacturers recommended maximum values for these resistors could lead to instability with some tubes in output stages. It's rare to find an amp manufacturer, vintage or current production, who seems to respect the tube data sheets' limiting values. Do you find this really important?
Yeah, I do think it is. While there's plenty of good tubes being made, one can't count on tubes being as consistent as they were in the days of yore. I think a lot of manufacturers are lucky that people nowadays mostly make a practice of buying matched output tubes rather than, say, a collection of 3 different brands that came out of a bin under a tube tester at the Walgreens.
Also, I think using the lowest reasonable value of DC grid resistance probably makes amps sound better. There's always
some DC offset across grid resistors, in some cases it's substantial, exaggerating this tendency can't help reduce distortion. The signal grid current of output tubes that aren't meant to be used as class B or C, can't be expected to be consistent between tubes or operating conditions.
When Fender went from using 220K resistors (with push-pull parallel 6L6's!) to 68K in 1969, people complained it made the amp sound
worse rather than better, but Fender didn't substantially redo the drive circuit to compensate for the extra load. Fender also started having Sylvania make its 6L6GC's made to a Special Test Requirement in the 70's.
Why do the manufacturers consistently disregard these limits?
Thanks,Kyle
Well, a higher load it makes it easier to work up a drive circuit, and use cheaper tubes and fewer parts. I mean, just for the sake of finding out, I once bench tested a PAS3 and found I could get 34 volts AC into an open load (OK, an HP AC voltmeter, but that's pretty close to an open load). Back in the 50's and 60's, a few hundred bucks was the price of an audiophile amp like a McIntosh, with that kind of price pressure, it was real tempting to go Mad Man Muntz on the parts count. Real pentodes have fewer issues with signal grid current than beam tetrodes, which may explain why they became so popular for hi-fi gear.
Some experiments with excessively high grid resistor values have been real messes, the first thing that comes to mind is Jadis, but I remember seeing an old Bogen that fried a bunch of sockets by oscillating itself to death.