Hi folks,
I just wanted to start a thread to help educate me on the sonic impact of tweaking these pots. I guess that the neg feedback pot is the one I am most interested in.
I need a little aural education here - what _should_ be the impact of adjusting these pots to the sound as a way to help me understand what I am hearing (if that makes any sense). This all stems from the fact that I have made some many changes to my system since I started doing the diy stuff about 2 years ago that I have way too many variables at play and I need to settle things down to get a handle on them.
For reference I am using all Hammond Transformers on a Rev B board, with EL84 tubes from Anthony Welsh (Russia Miltype 6Nxxx) and a JJ 12AX7 with Mullard 12AT7.
I know describing sound is a bit like trying to describe taste in words, but a general guideline I think might be useful to help me find that sweet spot - or more specifically notice those boundary settings between which the sweet spot exists.
thanks - SteveS